The substrate (underlying support material such as paper or canvas) is carefully attached to a spinning drum. Six infinitely small (much smaller than the human hair) pixels of the best archival water based organic pigments are then capable of rendering an amazingly smooth and consistent image. These microscopic and digitally programmed droplets of color are sprayed into the substrate at a very high speed (3-5 million pixels per second).
While rotating at a very high speed, it accurately and consistently mirrors the original work of art. The result then is an image comprised of nearly 18-20 billion droplets of ink saturation onto the substrate without a moiré (watered silk) pattern that becomes a convincing rendering of any fine art image. Its luxurious quality makes it virtually indistinguishable from the original work that it surpasses nearly any other method of color application. It does not yellow, and will resist cracking, even when stretched.
Iris Print Seal, an aerosol spray overcoat that provides an invisible crystal clear semi- matte top coat offers a smudge and moisture resistance finish, dye stabilizers, and the ultra violate light blockers.
Giclee prints have a very impressive track record for exhibition at prestigious galleries and museums such as: